lll人 London, UK
lll人 is the trio of Daichi Yoshikawa, Paul Abbott and Seymour Wright
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supported by 18 fans who also own “yE”
Pianist Pat Thomas continues his recent resurgence with yet another release with [Ahmed]. A group named after bassist / oudist Ahmed Abdul-Malik, this is their first recorded offering since 2021’s Nights on Saturn (Communication). https://avantmusicnews.com/2024/01/21/amn-reviews-ahmed-wood-blues-2024-astral-spirits/
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supported by 18 fans who also own “yE”
Despite the length and variety offered by this release, a few general techniques or patterns are present throughout. Most notable is the interaction between Thomas and Wright, with the former playing in his signature dense and percussive style while the latter provides bursts of gritty notes on the alto. Wright’s wailing is an unconventional counterpoint to Thomas’s classicism. https://avantmusicnews.com/2024/04/06/amn-reviews-%d8%a3%d8%ad%d9%85%d8%af-ahmed-giant-beauty-2024-bandcamp/
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RITES (Seymour Wright alto-saxophone solos 2003-2023)
by Seymour Wright
supported by 15 fans who also own “yE”
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New on can’t-miss label Not Not Fun is this eerie, ethereal synth record from Yayoba.
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Your Day Will Come
by Chanel Beads
Straddling the threshold between studio performance and digital technique; the NYC artist applies "fake jazz" principles to synthpop.
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A collection of tracks from the singer and multi-disciplinary artist's 111 collaboration series, featuring KMRU, Laraaji, and others.
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supported by 14 fans who also own “yE”
XT regularly push the boundaries of how the limits of the new can still be explored in music today, Pat Thomas is a direct descendant of the piano giants of the second half of the 20th century; here they converse together with the music and thinking of Cecil Taylor. Free jazz of the future age.
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